showing 26 results matching `artist:"Wes Wilson"`

black and white manipulated photographic image; pair of dirty hands holding a fruit which appears to be growing on a thick stem from the ground below — Byrds, Taj Mahal, Genesis, Avalon Ballroom, November 1-3, 1968, 1968
Wes Wilson

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black and white photographic image of a hollow TV cabinet outdoors casting a shadow in foreground — Quicksilver Messenger Service, Black Pearl, Ace of Cups, Avalon Ballroom, October 4-6, 1968, 1968
Wes Wilson

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black and white photographic image of a run-down abandoned gas station; "HOLY CITY SERVICE" painted at front edge of overhang — Flatt and Scruggs, Jack Elliott, Sons of Champlin, Country Weather, Avalon Ballroom, September 27-29, 1968, 1968
Wes Wilson

Not on View

black and white; dark manipulated photographic image of a foreshortened standing barefoot man viewed from low angle — Grateful Dead, Lee Michaels, Linn County, Mance Lipscomb, Avalon Ballroom, October 11-13, 1968, 1968
Wes Wilson

Not on View

black and white; Art Deco style borders forming three rectangular areas--one at center with distorted photographic image of a man's head with his forehead far above his face; text at right — The Steve Miller Band, Muddy Waters, A.B. Skhy Blues Band, Avalon Ballroom, September 20-22, 1968, 1968
Wes Wilson

Not on View

black and white; central oval photographic image of Native Americans wearing feathered headdresses on horseback; bubble letters overall — Jefferson Airplane, Big Brother and the Holding Company, February 19, Fillmore Auditorium, 1966
Wes Wilson

Not on View

printed in red and black; photo of smiling woman's face in ULC and smiling man's face in URC — The Blues Project, The Sons of Adam, Quicksilver Messenger Service, Avalon Ballroom, May 13-14, 1966, 1966
Wes Wilson

Not on View

printed in purple and pink; photo of a man slightly squatting with arms outstretched and finger splayed, seen from below, as if riding down a bumpy slide; radiating wavy and straight pink and white lines — Grass Roots, Daily Flash, Sopwith Camel, Avalon Ballroom, July 1-3, 1966, 1966
Wes Wilson

Not on View

printed in black and green; text with square black and white photographic image of woman in showgirl-style costume — Love, Captain Beefhart and his Magic Band, Big Brother and the Holding Company, Avalon Ballroom, May 20-22, 1966, 1966
Wes Wilson

Not on View

black and white photographic image of a steam locomotive; white text in LLC — John Mayall, Big Mama Thornton, Black Pearl, Avalon Ballroom, September 13-15, 1968, 1968
Wes Wilson

Not on View

black and white close-up photograph of a blonde woman's face with an image of grasses superimposed over it — Velvet Underground, Charley Musselwhite, Initial Shock, Avalon Ballroom, October 18-20, 1968, 1968
Wes Wilson

Not on View

black and white manipulated photographic images; bowl of fruit with bananas at center bottom; blurry man's face at center background; blurry image of standing nude woman with arm raised at right with mirror image in white at left — Buddy Miles Express, Dino Valenti, Country Weather, Avalon Ballroom, October 25-27, 1968, 1968
Wes Wilson

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printed in black and green; demon-like figure with small bat wings, thin limbs, and long white beard crouching at center with arms up with stylized green flames behind him surrounded by an archway with columns — The Daily Flash, The Rising Sons, Big Brother and Holding Company, The Charlatans, Avalon Ballroom, May 6-7, 1966, 1966
Wes Wilson

Not on View

black and white printing on orange ground; photo of an orangutan; various lettering styles over top; Family Dog symbol in ULC — The Great Soceity, The Grass Roots, Big Brother and the Holding Company, Quicksilver Messenger Service, February 26, Filmore Auditorium, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

central oval photographic image of a Native American man wearing a top hat with a cigarette in his mouth; blue field with white stars and top and vertical red and white stripes at bottom — The Blues Project, The Great Society, April 22-23, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

head and torso of a topless woman with long hair, printed in green, against a red ground with a black snake with lettering twined around her; green text at top: "SIN DANCE" — Sin Dance: The Grass Roots, The Sons of Adam, Big Brother and the Holding Company, April 29-30, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

black and white; image in an archway of a skeleton with an oversized skull wearing a tiny cowboy hat and a black jacket, with a cigar in its mouth; bubble letters — The Quick and The Dead: The Grateful Dead, Quicksilver Messenger Service, The New Tweedy Brothers, June 10-11, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

printed in brown and gold; mainly text with organic scrolling root-like elements in rectangular section at top — Hayfevver: Leaves, Grass Roots, Grateful Dead, May 27-28, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 88; red background with green flame-like design and text; purple and green text in center in a T shape; white typewritten text at bottom of main design motif — "Ohm," Van Morrison, Daily Flash, Hair, Avalon Ballroom, October 20-22, 1967, 1967
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

black ground; large round element at top in red, yellow, and white, with looping designs and faint skull element at center; arcs with bubble letters at bottom; white typewritten text at top — "Rorschach Test," Blues Project, It's A Beautiful Day, Nazz Are Blues Band, April 5-7, Avalon Ballroom, 1968
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

Bill Graham poster no. 38; yellow text over black on R; figure on L holding yellow peace sign; gray border — Grateful Dead, James Cotton Blue Band, Lothar & the Hand People, November 18-20, Fillmore Auditorium, 1966
Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Publisher: Bill Graham Presents, San Francisco

Not on View

black and white; photo of shirtless man's head and torso turned 3/4 to PR with his head raised and his PR hand on his forehead, with PL hand on PR wrist; bubble letters on black ground — Paul Butterfield Blues Band, Quicksliver Messenger Service, Fillmore Auditorium, March 25-27, 1966, 1966
Wes Wilson; Artist: Chet Helms; Publisher: Family Dog Productions, San Francisco

Not on View

purple and white image of group of six (Jefferson Airplane) with teal text above and below; teal and red wavy lines down left and right sides — Jefferson Airplane, Junior Wells' Chicago Blues Band, Tim Rose, Hey Joe, Fillmore Auditorium, December 16-18, 1966, 1966
Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Photographer: Herb Greene

Not on View

black and white; drawing of a young woman and a wild-eyed and wild-haired man wearing short tunics, dancing in LRQ; bubble letters in black — "Love Dancers," The Love, The Sons of Adam, The Charlatans, April 8-9, Fillmore Auditorium, 1966
Wes Wilson; Artist: Chet Helms; Publisher: Family Dog Productions, San Francisco

Not on View

Joint Show. The Moore Galleries, 1967

Wes Wilson

Not on View

black textbox with purple and pink block lettering, framed by different concert posters in orange, pink, and purple; black and white image of curly haired man at top (Bob Fried) — Jerry Garcia and Friends, Kingfish, Keith and Donna, The Mirrors, Winterland, June 17, 1975, 1975
Bob Fried; Artist: Alton Kelley; Artist: Victor Moscoso; Artist: Stanley Mouse; Artist: Randy Tuten; Artist: Wes Wilson

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showing 26 results matching artist:"Wes Wilson"

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